Author Archives: Carol Capper

Sliding Past

There are great moments

Ones that cling to memory without a struggle

Signs or signposts marking spaces in our lives

Then there are those million moments

When we are connected to the energy of getting done

Moving on to the next all absorbing event

Moments that bundle themselves together and lose distinction in the crowd

 

Sometimes a noticing arises

That there seems to be a sliding past

Where the direction has shifted

A turning back on itself has occurred

 

Perhaps it’s a memory trigger

A scene or color, scent or sound

Whatever the source, it’s cause for a pause

 

You take a detour

Step down below the surface

Or maybe around and sideways

Or even further down the road

 

Steps that maybe lead to wondering

What might have been

Or what’s still possible

 

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The Driver, the Woman in the Wheelchair, and the Artist Painting in the Street

The man who brought her downstairs and attended to her was not her husband.  Not her lover either.  It had been a long time since, you know, there had been someone like that in her life.  She had been worried that it would be cold – too cold to be sitting still in the wheelchair outside.   He had reassured her, let her know once again that withdrawing from the world wasn’t so healthy.  She remembered thinking, “What does he know?  How does he know what’s healthy for me?”  But she gave in and let him adjust her hat and gloves. Then he left her sitting in the walkway and went inside leaving her here, waiting.  At least, she thought, when I’m in my apartment I don’t feel like I’m waiting.  Out here in the street I always feel that I am waiting for something to happen.  And I’m never sure what that is.

Hoping to distract from the process of waiting, she began deliberately noting what was around her.  A woman, younger than she, stood leaning against the wrought iron fence in front of the house next door.Afternoon Sunlight on a Greenwich Village Street - New York City-MShe was tapping words into her phone, but Sara could read the signs.  This woman was clearly waiting – while pretending she wasn’t.  Why the pretense thought Sara.  She probably doesn’t want to appear to have been left, to be without purpose.  Wait until she ages a bit more thought Sara, she’ll have ample opportunity to explore purposelessness.

Across from the woman in the wheelchair is a car parked with the driver inside.  It’s a black limo but not a big one.  The driver too is waiting, not so much for something to happen, but for the man and woman to return from the cafe across the street.   He knew it would be a considerable time before they would be ready to leave, and then probably on to a club or two.  More sitting and waiting.  He got out of the car and opened the door on the other side, shifting and straightening what had been left there.  Then he grabbed a bottle of water from the trunk and got back into the car.  He wasn’t much interested in what was happening around him,  choosing to listen to music.  He would just settle in, maybe nod off a bit.

Sara noticed the car, but barely.  She didn’t see the driver – not because he was out of her line of vision, but because he was a chauffeur.  To her he was basically a non-person.  Even if she had taken notice of him, he would have been of no interest as a driver sitting in a car.  Only if he were her driver – then there might have been attention to giving him some direction.  Someone to notice only to the extent that he is useful.  And Sara didn’t even notice that she hadn’t noticed.

Jared was used to not being seen.  He’d been driving other people around for a few years now.  He knew it wouldn’t be forever; he knew he’d go back to school.  He just wasn’t sure when, or where for that matter.  He was gathering experiences in the meantime.  Amazing what you can gather when not being noticed.   People show themselves more easily when they feel no one is looking.  Especially in the back of his car.

But there was some restlessness in him this evening that made it difficult for him to settle.  Maybe he was really tired of sitting and waiting.  Maybe it was time to stand up and do something.  While chewing on this thought, he became aware of the agitated energy behind it.  That’s when he happened to glance in the rear view mirror.  And there, standing in the street, was a man painting with palette and easel.   What the hell, thought Jared.

Well, so much for not being interested in what was happening around him or his restless energy.  Jared’s whole focus landed on the artist in the street.  Had he just beamed in from Paris’s Left Bank?  Had he actually been there when Jared pulled into this parking spot?  Why does a guy set up his easel in the street?

The artist continued painting, oblivious to the questions being launched into the universe by the nearby driver.   He wasn’t exactly standing in the middle of the street but taking up his own parking space in between two cars.   His gaze shifted from his canvas to the restaurant he was facing.  He applied paint then looked back toward the cafe.  Why was he painting?  Who was it for?  Such an oddity even by New York City standards, especially in that the artist wasn’t part of a performance piece.  He was simply absorbed in the canvas in front of him.  Yet, typical of this city, passers by didn’t seem to notice him, his canvas and his easel there in the street.  Perhaps if he’d been naked…

So,was he there hoping to be discovered?  No, he was simply painting restaurant fronts in the hopes that tourists would want to purchase a souvenir of where they had a romantic dinner with someone special.  Set up in the alley entrance nearby was a display of several of his paintings, each of a different restaurant in the Village.  It didn’t seem that he’d been too successful selling his work unless he had a big store hidden elsewhere.  Stephen wasn’t really all that interested in the sale of his paintings as much as in the act of painting itself and, of course, the exotic image of himself as an artist.  He knew he would continue painting until he couldn’t lift a paintbrush anymore.  Sad, but true, he thought to himself.  If he’d been more concerned about earning money, perhaps his wife would still be with him.  She had been his muse when they were much younger, until it wasn’t enough.  It was several years since she had left with another artist – one who was younger than he and considerably more talented.  Yes, one who even earned a living selling his work in New York galleries.  It bothered  Stephen, and yet it didn’t bother him.  He missed having a muse – restaurant fronts were not that inspiring.  He didn’t mind being alone though, he kept himself good company.  He really did like himself.  He thought that most people he knew didn’t seem to like themselves very much.  They all wanted something different from what they had.  He didn’t – he really appreciated that he could spend his time painting.  Even without a muse, he was happy painting, no matter what.

Stephen didn’t see the driver in the black limo, nor was he aware of the woman in the wheelchair.  He was focused.  As was the woman who was tapping words into her cell phone.  She was absorbed in writing about the artist, the driver and the woman in the wheelchair.  She was creating a story, something she did quite often.  It was easy, especially in the city where the were so many people and situations to witness.  So, here she was again, waiting for her companion to show up for dinner at the nearby restaurant (the one in fact that Stephen was now painting).  She was waiting for him outside, there being not much room in the crowded cafe and the evening being rather warm for November.  And while she was there, noticing the three individuals around her, she had begun to make up a story about each one.  They were not unreasonable stories, but fabricated nonetheless.

Her attention was unexpectedly interrupted by the manager of the restaurant who had come outside to tell her that now there was room at the bar should she want to come inside and wait for her companion.  Nice of him, she thought.  So she left her storied threesome in the midst of their tales and went inside.  Sipping a glass of wine, she wondered if the artist could see her through the window and might she appear in his painting.  Of course, that might just lead to another story…

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Earth, Sky, Heart = Peace

Consider the quality of being present in your body right now.  What is the quality or character of that sensation?  Is it in fact a sensation – or something else?  Maybe you’re curled up in a chair, computer in your lap, maybe sitting on a train reading the screen on your cell phone, or sneaking a moment for yourself while at work – notice whatever posture you find your body in right now.  Take a moment, this moment, and focus your whole attention on what is happening in your body.  Don’t wait for the instructor in yoga class to coach you there or the teacher at the meditation center to offer guidance, you can take this trip yourself any time you want.

Sometime the simplest action can generate the deepest awareness.  It doesn’t always require special equipment and herculean effort.  You are, after all, in your body.   Should it be a big leap then to inhabit it fully, to be totally there?  If you are caught up in thoughts, don’t be thinking that you are in your mind and not in your body, because, as my former teacher used to say, “Your mind is part of your body, isn’t it?”  Perhaps you can be in your mind and body at the same time, fully present to both.

Usually the act of bringing focus to the body means noticing the purely physical sensations that are happening.  Pain, constriction, fatigue, hunger or sometimes what seems to be neutral or without clearly articulated qualities.  I often wonder that what draws our attention are the primarily negative or neutral characteristics, not the energized or “feeling good” ones.  Don’t these last speak loud enough to be heard?  What might be the quietest sense you can tune into?

Now make the shift to notice what kind of feeling state is inhabiting your body in this moment.  We don’t often acknowledge that feeling states are in our bodies, but they are also physical sensations and certainly manifest in the body.  We don’t simply walk around with concepts of anger, sadness or joy in our minds.  We experience them in a physical way.  The heart can seem to be the locus of feeling for us, but is it a source or a container for what’s circulating through our bodies?  Perhaps it simply feels like the center of who we are.

Imagine your heart is this center and holds you in the space between being grounded in the earth and reaching for the sky.  Stand with your feet hip distance apart, your spine long and arms stretched down, held away from your sides with palms facing forward.  Inhale and slowly bring your arms overhead so that your palms touch.  Exhale and bring your hands down to the level of your heart, palms still together.  Stay for a moment and receive another breath.  Then give your breath away and stretch your arms down and away from your sides again.  Breathe in and continue to bring them overhead so that palms touch each other.  Repeat this sequence a few times and see where your attention goes.  Does it seem that it fills your entire body?

Notice that with these movements you have created the peace sign with your body.  Rest in that awareness.

 

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My Body’s Changing so Who Am I?

Welcome change!  Where would I be without you?  Well, think about it – I wouldn’t be alive, that’s for sure.  Yet looking in the mirror, I find myself wondering who this is looking back at me.   There is some part of me that must have expected that I would continue to look the same.  It would be the familiar face of me, the one I’ve become used to over my adult life, always.   Interesting that now I think back to adolescence, which was certainly a time for changes in my body and appearance.  But not the same as now.  I believe the difference then was the sense of excitement that accompanied what was happening.  Even if I wasn’t pleased with a particular change, the overall sense of it was looking forward to what was to come.  There were plans and goals and new experiences to be met.  Changes then may not always have been greeted with open arms, but the energy in them was about moving forward.  Why is it that, in the later years of life, what lies ahead can often feel more like sliding down a slippery slope than rising to meet challenges?

There seems to be more attachment at this point to what was.  And perhaps years of perfecting the voice of judgment within.  This voice is the one that is not liking what’s happening, wanting the body to stay the same, considering desperate measures or placing blame for what’s changed.  All as if these shifts in one’s body could be avoided.  

Where are our role models for growing old, for aching joints and sagging skin?  Even if a role model exists for us it isn’t his/her body that is the focus of inspiration.  It is more likely what he or she is accomplishing in spite of the physical body.  Maybe the bigger question is how to show up fully human with all that’s shifting and changing and be ok with that.  We are a culture that relies on reflection – not the inward kind but the mirrored image of who we think we should be.  It’s generally a full screen representation of who we want to be or the image we desire to project to others that drives the ability to accept changes in our bodies.

So how do we turn the mirror back on itself?  Would it even work?  Imagine a world without mirrors – where the only option to “see” oneself is in someone else’s eyes.  We might then have to accept a new level of vulnerability – the reality of being seen by another.  Mask – less.  It may seem more difficult than what we do now, but somehow I think not.    This could be a practice that leads us to the wonder of feeling connected to other human beings in a way that doesn’t easily happen now.  It might help us realize that we are all the same, we all change and that change has the capacity to reveal to us who we truly are.  How bad can that be?

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Parts of Me

Everyday some part of me calls my attention and has the potential to carry me down some road away from my centered self.  I wouldn’t mind but for the fact that I feel better whole, not parceled out or divided up.  It seems that I can lean into the day with my head, my hands or perhaps with a body part that is sore or hurting.  At other times it can be the part of me that contains the story of feeling tired or overwhelmed or riding a wave of solid and secure.  There are definitely days where I am all about where I’m going or what I have to do next.  And, of course, there are other days where the weight of yesterday or even a lingering dream from the night before is what takes up space in the bigger part of me.

Rilke, in the Duino Elegies, writes that “We live our lives, for ever taking leave.”   He may have been talking about situations or places, but do we not take leave of ourselves many times in the course of our daily living?  It’s not simply that we are distracted; we are actually living outside of the corporeal self that supports us through this lifetime.  Our awareness is elsewhere often far from the here and now, with the sense of looking past or through this physical body.  Mostly we believe that this is how we are supposed to function.

How might is be to lean into the day from an anchored point – a breath and body awareness?  We are often reminded to go back to the breath and that can certainly serve as an anchor for awareness.  However, breath is in the body; the whole process of breathing occurs in the body.  It’s not something that happens outside of our physical selves but requires movement and involves the whole body.  While we may think of breathing as pertaining only to the pathway in and out with a brief pause in between, it is our entire embodied self that is being breathed.

A friend and colleague of mine has been known to suggest that students practice “receiving” a breath instead of “taking” one.  This is an offering that can change the posture of breathing so that it becomes more of a whole body experience.  In the moment of whole body breathing is an opportunity to pause and shift attention away from whatever part is dominating and drop into a more centered stance.  Even if the shift doesn’t last very long, the fact that you’ve experienced it can be enough to bring a different energy to that part of you demanding attention.  And, in this way, you have already taken another step in the direction of living your life from the point of wholeness.

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Unseen, then Seen

Walking on the beach, living near a major airport, there are often planes that appear in the sky out over the ocean on their landing approach.  What’s interesting about this occurrence is that, as one gazes at the place where they seem to be coming from, there is nothing to see.  Sometimes I find myself focused on the empty spot in anticipation of the emergence of a plane, certain that one will appear, yet wondering how it makes that shift from being “unseen” to “seen.”   It seems there might be a slit in the sky – an opening that I cannot see through which the plane emerges.  With awareness of that thought comes a smile – I am reminded once again of how our minds attempt to alter reality to suit what we think it should be.  I expect to be able to see it, so why can’t I?

This situation may seem obvious in the sense of simply not respecting or appreciating the limits of our senses, however, how many times is this exactly what we do?  How would it be to take a few steps back and look at the bigger picture here, acknowledging how easy it is to slide into the practice of making up a story when we can’t see clearly – bringing our own interpretation to what may seem to be happening (or not happening).  And often, even when we are aware that we are providing our own home screen entertainment,  some or all of that story becomes real for us.  All the more so if it’s a particularly good story!

So, why do we do this?  Why do we fill in the space?  What gets in the way of allowing an opening for the unseen to become seen?  Not such a simple answer –  is it impatience, perhaps, being uncomfortable or unaccepting of not knowing?  Maybe it’s a matter of the “shoulds” – feeling that we should already know.  Or is it simply a moment of groundlessness?  How might we see them more as “leap of faith” moments – certain that the knowing will unfold?

In the practice of meditation and mindfulness there are also many opportunities for filling in the blanks.  We practice or sit expecting (or hoping for) the insight  that will help us translate our experience into the bliss of enlightenment or at least move us further along in that direction.  Perhaps it’s during our yoga practice or while taking a walk, maybe even when we awaken in the middle of the night, that we long for an answer that eludes us.

So how does a new understanding come about?  How do we really move from the unseen to the seen with regard to even the most burning questions in our lives?  I wonder if it’s not much simpler than we might consider.  It begins with a pause – taking a moment to let go of the grasping towards what we want to know.  Then a shift to trust that the answer or insight will emerge – in other words, that it’s in there somewhere.  Then there’s the issue of readiness – being open to whatever the insight might be and a willingness to go with it.  This last is important, because often the insight might come but we find ourselves digging in our heels saying, “Oh no, this isn’t the answer I was hoping for.”  I suspect that may be the point where we need to go back to the beginning and pause again…

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Love is All There Is

It seems that none of us are born loving ourselves.  It even sounds odd to talk about an infant “loving” in our most familiar sense of the word.  What’s happening for him are sensations which might be pleasant, unpleasant or neutral, what feels good or not, but hardly anything we would call love.  How does the feeling of loving oneself emerge or develop?

Suppose, just for a moment, that this is the purpose for each one of us in our lifetime, to come to feel unconditional love for ourselves.  How that happens can be a very convoluted route.  We first experience love in some way from people around us.  Mostly it would seem that what we learn is conditional – based on our behavior, how we look,  what we say or issues that have nothing even to do with us.   An infant growing up is left to interpret the signs, some of which may be subtle and some loud and obvious.  We don’t come knowing who we are, so we depend on these messages from those around us.  We internalize what is shown or said to us and, for the most part, come to believe this is who we are.

It’s true this may not be information that is new to you.  But, in the context of growing to love ourselves, how is it that we can come to learn that we are really okay and worthy of being accepted completely as we are?  Might it not be a matter of remembering a moment of wholeness – where there was no judgment, no sense of unsatisfactoriness.  All that is there is a fullness, an acceptance of however we are in that moment.  It’s a felt sensation that is independent of where we are, who we are with or what we are doing.  It’s simply a matter of being.

Mostly we consider that how we feel about ourselves depends on what’s happening, or what has happened or the possibility of what may happen.  All these considerations impinge on what we think of ourselves.  Interesting that so much effort can be spent on shoring up the bulwark around our own identity, trying to make it stronger or less impervious to outside influences.  It takes some remembering to get back to the whole and realize that nothing can touch or change the core of our being.  It’s not possible.

So, suppose you find a comfortable seat, close your eyes and take a few deep breaths in and out.  Now let yourself remember an earlier time when you experienced the sensation of loving and/or being loved.  See if you can set the story aside and focus on the feeling.  It needn’t be one of those BIG, LIFE CHANGING events; it might be a few moments when you felt ok inside, when there was the beginning of an inner smile happening for no particular reason.  After you’ve connected with that feeling, open your eyes and move to where you can see yourself in a mirror.  Look directly at the person there in front of you. Allow yourself to remember that inner smile and consider that, regardless of what may have happened since that earlier time, or what might happen in the future or even what thoughts and emotions are creeping in at this very moment, you are the same inside.  That inner smile, the feeling of loving yourself, is there, simply waiting to be remembered.

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Seeing in the Dark

What do you see when you close your eyes?  Or is the point not to see but to allow yourself to open up to other, perhaps less dominant, senses?  Consider the common situations in which you focus with eyes closed – when preparing for sleep, when desirous of intensifying a sensation being experienced, or perhaps to avoid imprinting an image that is disturbing or frightening.  Most examples probably fit into these categories, though there may be times when you close your eyes in order to embrace a moment of stillness and quiet.  These last are the moments that invite a closer look.

When you close eyes initially, there can be a sense of  noticing the quality of the darkness.  It can show up differently – sometimes close and heavy, at other times cool and spacious, and, of course, with a range of sensations in between.  Sometimes it seems as if the dark is right in front of your face, and, at other times, it can feel as though it envelops your entire body.  This is the period of settling in, and it carries you past the first few moments.  So, if your intention is for more than a 20 second break, what is it that happens next?

Ah…  This is the place that has the potential for the real beginning of a new and potentially life changing experience.   Suppose you are closing your eyes to begin  meditation or checking in with your inner self during your yoga practice or while being supported through a yoga therapy session.  In any of these scenarios, sliding into the darkness allows you to shift focus to what’s happening from the inside out.  It’s a different perspective.  It’s one that frees you in a way from the connection to the senses; it changes the perspective from which you are taking in the world around you.  That shift allows a mindful space to simply be with yourself.

There is something about being in the dark that provides a new, in the moment,  experience.  It’s different every time, and you can never be sure who or what you will encounter.  Of course, after a moment or two, your mind will jump in to fill what it perceives as a void.  Thoughts of future and past, judgments, expectations and concerns are just some of the characters that will take up space in the dark.  What might it look like to greet them, welcome them in, invite them to sit with you a while?  Consider it like “working the room” in a social setting where you acknowledge each guest, listen a bit and move on, never getting too involved with each individual but keeping close awareness of the bigger picture.   Perhaps not a comfortable analogy but a serviceable one.  The point is not to become too attached to any one thought or emotion but not to fight against them or try to shut them out as you move from one to the next.

How would it be to enter the dark with the kind of anticipation of seeing a great movie you’ve heard about – to bring that kind of energy in but without the sense of attachment to what the movie turns out to be?  Might that draw you to want to sit in meditation or close eyes during yoga practice or a yoga therapy session and see what happens?  Think of the richness that is you and all that is waiting to be discovered.  Most of all, allow yourself to entertain the possibility of getting to know the person you are from the inside out.

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The Changing Face of Familiar

Most of the time we go through our days following a schedule or routine that is more or less familiar.  Even when it’s a day without a schedule or one that contains some new adventure,  there are enough elements within it to provide us with the continuity of what’s familiar.  I wonder if we realize just how much we rely on our day to day lives to always have this kind of consistency.  We certainly experience a level of comfort in expecting that the sun will rise every morning, the earth will stay solid under our feet and other aspects of our lives will remain stable.

Consider the times you encounter a new experience – an event that’s happened to you, a situation where you are asked to do something you’ve never done before or maybe you’re involved in learning new skills.  In each case, you find yourself evaluating and categorizing what’s before you.  We all do this – checking out our experience to identify elements that are known or maybe similar to what we already know.  Of course, this process keeps us from becoming overwhelmed by having to take in so much that’s new that we cannot move forward.  We even follow this pattern every time when we meet a stranger, comparing his appearance, voice or mannerisms to others we already know.

As we go from one day to the next, the elements in our lives that are familiar become expectations for our future.  Say I meet someone who bears a strong resemblance to my sister.  It would not be unusual for me to allow my feelings about and attitude towards my sister to influence my interactions with this new person.  At some point, however, as the new relationship develops, the bearing of my familiar sense will give way to create space for the “newly” familiar.  This is the way we operate, though often it’s not as smooth a process as it might seem.

There can be clinging and aversion that get in the way of actually seeing or appreciating the new experience as it is, or, in the case above, the person as she is.   We  become attached to the way things are, to what we know, to who we are or to what we have.  The attitudes and feelings we bring can mask what we otherwise might see or hear or feel.  It requires conscious awareness to determine how open and unencumbered we can be in greeting what is new.   Even with the intention to remain open,  “new” doesn’t stay that way for long.

The drive to be comfortable, surrounded by the familiar, is very strong.  It is part of what helps us survive and negotiate our environment.  Often we sort of slide right  into reframing a new experience into one that is familiar.  But when a life changing event occurs, it’s not so easy.  Transforming upheaval into familiar or comfortable takes some effort though it can happen nonetheless.   Consider Stockholm syndrome, or attitudes/behaviors of victims of abuse or violence or natural disasters.  Not to reduce the effects of such events to a simplistic level, but certainly some element of the drive to incorporate familiarity is present.   In particular, when a situation is not an isolated occurrence but continues over  a period of time, a person habituates himself to what is happening around him.  This process itself does not  indicate an attitude of acceptance or approval; instead it carries with it the intention of supporting the individual in moving ahead with his life.  As with so many other aspects of our lives, this changing face of familiar is a process that serves us better when we can bring awareness to it.  The practice of mindfulness, which can be supported through meditation and yoga,  has been found to assist in providing clearer intention for times when we are in this process.   Being mindful in the moment can help us understand when expectations based on our familiar lives are getting in the way of clear seeing.  It can also create the potential for an opening toward newness or change or whatever is different from what we’ve known before, leading us hopefully to a more authentic, less automatic, way of living.

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Losing and Retrieving Perspective

Perspective is the kind of tool that we don’t normally even think of as a tool, let alone attempt to understand it’s impact on our lives.  Looking toward the beginning of a new year, it makes sense to take a closer look at how our perspective affects what we do and our view of who we are.  For the most part we consider our perspective to reflect the reality of ourselves and the world around us.  We function as if our view of life is a mirror giving a clear image of everything exactly as it is.  Might there be a bit more to it than that?

There seems to be a continuum on which our perspective, on any given day or at any given moment, is poised.  Not to say that one is good or bad or better than the other, but it can be important to distinguish which is which.  How does this perspective or point of view or frame of reference serve us now?  What can we learn from viewing what’s happening from a different perspective?  How can we keep from getting stuck in one way of seeing or understanding and develop the ability to shift perspective?  The bigger question is whether we have a choice in how to view what’s happening in the moment of being in it.

I suspect we develop an affinity for some particular way of looking at ourselves and our life situations.  We may have a propensity for diving into a narrow view or a close up of what we are looking at.  It can be a matter of focus – sometimes it is more functional to focus awareness on what is right in front of us and other times it serves us better to step back and take a broader view.  But there must be a level of awareness that helps us discern which view to lean into or away from.

Sometimes the situations in which we find ourselves cause a shift in our view without our even being aware.  When life offers what feels like too much, in the midst of shock or overwhelm, it can seem that we have lost perspective.  Unable to focus on detail or take in the bigger picture, how is it possible to sort through what is in front of you?  Seems the first step is to appreciate exactly where you are right now – breathing in and out in a conscious way, feeling your body whatever way it is at the moment and simply noticing.  Being mindful of what’s happening now.

Most of what gets in the way during times like these is the drive to act or respond in the face of not knowing what to do next.  Or it may be the desire for the situation to be different.  In either case, your energy is committed to this drive or that desire.  If instead, you take a deep breath and allow yourself to be fully where you are, you open up space for a shift in perspective and a choice to be made.  Being in the present moment supports your ability to step back and take in the bigger picture and also to focus in on the detail but to do both in a less energetically attached way.

Appreciate that this way of being present to yourself is essentially a moment of freedom.  Enjoy it.  Savor it.  Acknowledge that it will change.  And smile, because you can always get it back.

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